PAVELKO VLADIMIR, what a joke with yesterday's self-portrait - it was obvious. I want to see not only narcissistic faces at the competition, but also intelligence and creativity. Think!
altimona, Self-portraits are not my thing, and I'm weak in intellect and creativity. I do landscapes like that - just rotate the camera from side to side and press the button.
Well, maybe someone will see it, but for now I see boats.]
So why the recommendation then? I think there's a bit of a problem with the river, some boats. We saw both boats in this photo, but we didn't recite it.
Magic D, reveal the secret of the human essence PAVELKO VLADIMIR, competently and spectacular without question. But "wow!" did not happen. I praise the black and white. By the way, did you manage to read my opinion about the so-called overexposures before deleting? In short, I spoke FOR it on the water surface.
Magic D, It's not all bad. There are those who take their rivers seriously and they command respect, and their opinions and rivers are important to me, regardless of their personal ratings. And then there are those who easily put up dozens of rivers of all kinds of crap. So it's clear who's who and you don't have to follow the lead of those whose opinions you don't share. Thank you! I'm glad you wrote so frankly.
Valentin Zakharov, Valentin, I think we agreed on a first-name basis and haven't had a falling out since then I left it in color for the sake of experimentation, and it doesn't bother me, although the black-and-white version probably could have been whiter. Yes, Valentin, I read it, thank you! I deleted it so as not to offend those who prefer bookish letters.
I can't say I particularly like this photo, but it's quite good; I won't throw it in the trash.
And it's "from a textbook" because the professor who taught us photo composition included it in his textbook as an example of rhythm in photography. The obvious rhythm of the masts and boats is complemented by the rhythm of the alternating black and light masts, plus the descending rhythm of the mountain echoes the rhythm of the varying heights of the masts. These rhythms, plus the tonality, create the photo, its mood. Rating = 5.4 is quite decent (after all, it's not a yellow bush); I thought it would be zero. Thank you!
Marina Glebova, At the Academy of Photography, in Vadim Piskarev's workshop (http://www.piskaryov.com), and the professor is from VGIK. All students in the camera department also take photography for three or even four years.
Learning from a Master and being a Master are two different things. I learned a lot of interesting things—it's really great, but professional studio photography didn't appeal to me.
Vladimir, the "Self-Portrait" competition starts tomorrow - I'm waiting for your work
Unfortunately, I don't have a self-portrait for the contest; yesterday's was more of a joke.
Thanks!
Vlad Sokolovsky, You're right.
I want to see not only narcissistic faces at the competition, but also intelligence and creativity.
Think!
Thank you! I'm glad you wrote so frankly.
I left it in color for the sake of experimentation, and it doesn't bother me, although the black-and-white version probably could have been whiter.
Yes, Valentin, I read it, thank you! I deleted it so as not to offend those who prefer bookish letters.
I can't say I particularly like this photo, but it's quite good; I won't throw it in the trash.
And it's "from a textbook" because the professor who taught us photo composition included it in his textbook as an example of rhythm in photography.
The obvious rhythm of the masts and boats is complemented by the rhythm of the alternating black and light masts, plus the descending rhythm of the mountain echoes the rhythm of the varying heights of the masts. These rhythms, plus the tonality, create the photo, its mood.
Rating = 5.4 is quite decent (after all, it's not a yellow bush); I thought it would be zero.
Thank you!
But the link won't open.
PAVELKO VLADIMIR, for the link to open, you need to put one space between the brackets and the link address