I'm not saying goodbye, skin like skin. The light attacked her in layers and patches, but that's because of realism. She holds a cigarette perfectly. A little tired, but who knows what she was doing a minute ago, maybe she was exhausted
Thanks for the comments. You're right—the light on the skin is blotchy from the light source, the way it's framed, and I liked the shadows. In the fall, I was photographing a girl at sunset. She held a bunch of dried grass in her hand, and I noticed that it created an interesting light and shadow pattern on her hands. I asked the model to hold the bunch in front of her face, and her entire face was caught in a light and shadow mesh. I liked it, but two of my teachers, who have been shooting all their lives, immediately pointed out that according to the canons of old photography, this is absolutely forbidden. Just as you can't tilt the horizon, crop out hands and the top of the head, and do other things—that was the custom in the old school of photography. BUT now, the most accomplished Russian and international photographers often break all these rules, and their work is showcased at many exhibitions without criticism.
The skin is a complete nightmare.
She holds a cigarette perfectly. A little tired, but who knows what she was doing a minute ago, maybe she was exhausted