You have to be able to create dynamics and tension in a frame using lines, it’s just fantastic!

You have to be so good at creating dynamism and tension in a frame using lines, simply brilliant!

Marina Glebova, dynamism is present in all the shots that feature oblique lines... and tension is present wherever there's a shift from the ZS... the photographer's job is to set a tangible and harmonious vector of "development"! That is, PI is obliged to stimulate development—to inspire (this is the main characteristic of PI, and not at all what Kud was trying to sing to us about)! But here we see the opposite—crisis and the collapse of hopes... the general vector leads to a pole... and you're happy about this!? This begs the natural question: where does all this undisguised schadenfreude come from, Marina?

There are convolutions. But there is no tension, and there can't be. Because there is no plot. The main character—an aspen stake—symbolizes the death of the genre, because formalism kills the genre completely in favor of meaninglessness. In this regard, the fleeing figures of football players on a peeling fence are quite symbolic.

.But there's no tension and there can't be.

And what about this Mostra ritaglio then?

But there's no tension and there can't be. Because there's no plot

and with the following sentences, "professor," contradicts himself =

The main character—an aspen stake—symbolizes the death of a genre

and

the fleeing figures of football players on a peeling fence

!!!

"Professor," was it this photograph you commented on??? Or maybe you showed the students how to embarrass (joke) properly...

Your "embarrassment" was supported by as many as four "scholars" and "students." Congratulations!